There once was a band called The Extras. They were an amalgam of players that used to back up the late, great BB Gabor. When they went off on their own they released a debut album called ‘Bit Parts’ and had themselves an FM radio hit with a novelty tune called “Circular Impression”.
Archive for The Extras
JAIMIE VERNON – CIRCULAR IMPRESSIONS, 7 INCHES AT A TIME
Posted in Opinion with tags 33 1/3 RPM, 45 RPM, 7" singles, Albums, Alert, AM Radio, Anthem, Apex, Arc, Attic, Bob Segarini, Bomb, Canadian Music, CanCon, Capitol-EMI, CHUM, Circular Impression, Columbia, Daffodil, DBAWIS, Don't Believe a Word I Say, FM Radio, GRT, independent record labels, Jack Richardson, Jaimie Vernon, Lighthouse, long players, Lords of London, MAPL, Mo-Da-Mu, MWC, Nettwerk, Nimbus, Og, Orval Prophet, Paul White, Pierre Juneau, Ray Danniels, RCA, Ready, Red Leaf, REO, Roman, Rush, Skip Prokop, Sparton, Star, Syndrome, The Beatles, The Esquires, The Extras, The Guess Who, The Last Words, The Staccatos, Top 40 radio, True North, Uni, vinyl, Warner Brothers on October 18, 2014 by segariniFrank Gutch Jr: O Canada: A Nod to The Great White North— (and more of them goddamn notes)
Posted in Opinion with tags bill jackson, Bob Segarini, bobby gottesman, Caitlin Canty, Chloe Albert, Darrell Vickers, Dave Bidini, David Olney, DBAWIS, Don't Believe a Word I Say, Frank Gutch Jr., Gowan, Indie Artists, Indie Music, Jaimie Vernon, Jane Gowan, Jubal Lee Young, Laurie Biagini, music videos, On a Cold Road, Pete Fidler, Pursuit of Happiness, Records, Rheostatics, Roxanne Tellier, Sergio Webb, Shade, Sloan, South of Bloor, Steve Young, The Extras, Thor, Tim Vesely, Toby Swann, Tragically Hip, Violet Archers on September 2, 2014 by segariniI am a lost Son of Canada. I must be. I love Canadian bacon, though bacon it not really be (except maybe technically). I love Jennifer Dale, an actor who deserved much more than she has been afforded, respect-wise (I reveled in her work on Canadian TV and film during Comcast’s all-too-short span of including CTV and CBC on their cable lineups in the ’80s). I love Due South, one of the most creative and funny-on-so-many-levels series TV has ever created (the transition of Ray to Ray— David Marciano to Callum Keith Rennie— a work of pure writing craftmanship).