One thing about history. Given enough time, it is a shadow of its former self. No matter what happens, importance of virtually everything is either magnified or diminished depending upon a number of factors. By the time it has been filtered over the years, it is not even remotely what it started out to be. The Twenties obviously weren’t all Gatsby and The Thirties weren’t all dust bowl and depression. There was so much more than the War (that would be of the Second World variety, sports fans) and recovery from to the Forties and if the US had lived the Fifties like Hollywood said, we would have fought like hell to stay there. Of course, by the time it got to us, it was Cliff’s Notes all over again.
Archive for The Flamethrowers
Frank Gutch Jr: A Short Word About John Stewart; When a Label’s a Label, When a Label Is Not a Label, and When Labels Suck the Life Right Out of Music; a Research Turtles/Flamethrowers Update— Plus Notes…..
Posted in Opinion with tags California Bloodlines, Crushed Out, Cumberland Three, DBAWIS, Don't Believe a Word I Say, Fisher, Green Monkey, Howie Wahlen, Indie Artists, Indie Music, John Stewart, Kingston Trio, music, Neon Dreams Records, Records, Simpleton & Cityfolk, The Active Listener, The Flamethrowers, Tom Dyer, UMG on June 3, 2014 by segariniI remember it like it was yesterday, hearing that John Stewart had left us. My heart sank and all that was good seemed to disappear. John and I had been acquaintances, of a sort. We had met when a salesman working for a distributor handling Stewart’s own label, Neon Dreams, brought him into the dungeon at Peaches Records in Seattle for a visit. We were introduced and I liked him from the first handshake. I at first felt intimidated, of course. How could you not be when you considered his background— the Kingston Trio albums and before that, The Cumberland Three, and after that, the incredibly huge string of solo albums.