Boy, am I late!!! Soooo late starting this column. Tuesday is my “writing” day, but far too much seemed to get in the way and now it’s 6:15pm and I’m on my third sentence! Good news is I received congratulations from our friends in Ottawa for attaining “senior citizen” status. Not only that, how absolutely thrilled they are to be sending me a monthly stipend of what nobody could live on. I should be grateful I receive anything (and I am), but if that’s what today’s 65-and-up population have to survive on, it’s no wonder we’ve got so many elderly living far below the poverty line. What I am extremely grateful for is that I can still work (when we’re not in the middle of a shitstorm) and continue earning a reasonable living. For how long is anyone’s guess, but this body and brain just keep chugging along.
Continue readingArchive for The Gasworks
Pat Blythe – Chris …and Music
Posted in Canadian Music, Family, life, music, Opinion, Review, Work with tags A Girl With A Camera The Picture Taker, Bob Segarini, Chris Blythe, Christopher Blythe The Picture Taker, Cottingham Group of Companies, Cottingham Sound, DBAWIS, Don’t Believe A Word I Say, El Mocambo, ElMo, Film House, Hellfield, Ian Anderson, Jethro Tull, luvthemusic, Maple Leaf Gardens, Mitchell Field, Pat Blythe, podcast, podcaster, Quinn Labs, The Gasworks, The Pandemic Interviews, Toronto on September 29, 2021 by segariniPat Blythe – Pacing ONERUN, a Birthday with a “Cherry” on Top …and Music!
Posted in music, Opinion, Review with tags A Girl With A Camera, A Girl With A Camera "The Picture Taker", Anthem Records and Tapes, Associated Creative Talent (ACT), Astro Top Taent Prductions, Attic Records, Beyond The Cage, Bigland PR & Advertising, Bob Connolly, Bob McCaffrey, Bomb Records, Bruce Wilson, CBS Records, Chameleon Records, Cherish Stevenson, Cherry Cola's, Cliff Hunt, Concert Showcase, Country Cut 'n Curl, Dave Beatty, DBAWIS, Dee Lippingwell, Don't Believe a Word I Say, Exposure Promotions, Falcon Records, Gemini Music Agency, God of Thunder Productions, Jim Dan Dee, Joey Cee, Key To Music, Long John Baldry, Michael WHITE, Mike Komar, Mike Tilka, Music Express, Music Shoppe, National Music Convention, Nicholas Poliwko, Nickelodeon, ONERUN, Pat Blythe, Paula McGirr, Promocom Graphics, Q.E.D. Media, Rob Gallo, Rodney Bowes, Ron Scribner, Sandy Graham, Second Pass, The Agenc, The Castor Troys, The Demo Studio Tom Atom, The Gasworks, The Imps, The Nick Dining Room, The Reed Effect, Trick or Treat Entertainment & Booking Agency, Truly Amazing Productions, Tube Records, Vince LaMagna on June 19, 2019 by segariniThe business of business cards….little pieces of history….a nostalgic trail of change of memories. Each one has its own story….of the owner, the business, the year, even the decade. Headed to the basement to check the dehumidifier and stood gaping in overwhelming awe at what still has to be done with much of Chris’s “stuff” over five years after his death. Okay…..deep breath…..one box at a time. My eyes landed on the “box o’ cards” so upstairs it came. It resulted in a magical wander back in time for an entire afternoon. I do not exaggerate when I say the man kept EVERYTHING. I was stunned to find my very first business card from Associated Creative Talent (ACT). Ahhhh, was the summer of ‘79. I had only been in Toronto three months. What a life-changing year that turned out to be.
Pat Blythe – ONES, The LaMagna Cartel, Jully Black and …Music!
Posted in music, Opinion, Review with tags A Girl With A Camera, A Girl With A Camera "The Picture Taker", Buzzaw, Canadian Music Week, Castro's Lounge, Centre In The Square, Cinema Face, CMW, Country Cut 'n Curl, DBAWIS, Don't Believe a Word I Say, Downchild Blues Band, Franco LaMagna, Frank Russell, Geoff Willingham, Hugh's Room Live, Jane Harbury, Johnny Wright, Jully Black, Lee Aaron, luvthemusic, Man of La Mancha, Moxy, O'Keefe Centre, ONES, Pat Blythe, Phoenix Concert Theatre, Richard Kiley, Sam Taylor, Sony Centre, Sony Centre for The Performing Arts, The Beach Toronto, The Gasworks, The Grand Theatre Kingston, The Outrigger, The Salty Dog, Vince LaMagna on March 27, 2019 by segariniA Philosophic Moment….
Here we are…..right where we’re supposed to be. Precisely at this spot…..in this instant….this moment in time. Think about it. I’m sitting here typing away. Sometime later today or tomorrow, you’re sitting there reading what I am now typing, while I’m already doing something else. Now, look up and let your eyes roam around. What do you see? I’ll tell you what I see? I see a life that has unfolded and significantly changed over the past five years. I see my kitchen, the twinkle lights, the coffee and tea supplies waiting patiently…. I see my kitchen witch on her broom bringing me luck and the bookcase holding all my cookbooks…..the last thing Chris built for me. I see the sweet potatoes and pears, lounging on their plate until it’s time for the soup pot. I see my drums, piano and guitar……a big comfy couch. I see the home I’ve created and welcomes all who enter. I see my fingers on a keyboard typing inanities and loving every minute of it. How does it make me feel? Happy! I do indeed love my life and all those who have become a part of it. So, as you read this, stop, wherever you are, at this exact instant (your instant in time), take a moment to look around. What do you see? How do you feel? Be Here Now. Continue reading
Pat Blythe – Christmas Thoughts, J.C. Sandoval, Crown Lands, Gowan and Music….
Posted in Opinion, Review with tags A Girl With A Camera "The Picture Taker", Alex Black, Crown Lands, DBAWIS, Dick Whittington, Die Mannequin, Don't Believe a Word I Say, Frank Zirone, Gene Hardy, JC Sandoval, Jeff Heintz, Lawrence Gowan, London Music Hall, Nickelodeon, One Bad Son, ONES, Pat Blythe, Phoenix Concert Theatre, Piccadilly Tube, Rubbermaid, SATE, Secret Broadcast, Styx, The Cameron House, The Crooked, The Dreamboats, The Gasworks, The Spoons on December 8, 2017 by segarini…and the countdown has begun. Three weeks to Christmas day. Three weeks to wrapping paper, boxes and debris strewn from one end of the house to the other, stuffed turkeys and stuffed tummies, early morning stocking discoveries, late morning coffees and mid-afternoon naps (for young and old), for family gatherings, carol singing and clinking glasses of cheer. A time of year celebrated all over the world. The entire season from Christmas Day to New Year’s Eve is probably the most electric time of year.
Pat Blythe – Indie Week — Act II
Posted in Opinion, Review with tags 120 Club, A Girl With A Camera "The Picture Taker", DBAWIS, Don't Believe a Word I Say, GingerPennies, Gowan, Indie Week 2017, Larry Gowan, Pat Blythe, Rhinegold, The Gasworks, The Mod Club, The Nickelodeon, The Piccadilly Tube, The Spoons on November 23, 2017 by segarini…..and I’m not completely done yet….. It’s 5:19pm on Tuesday, November 21 and I’m just now starting tomorrow’s posting. It’s going to be a long night……and now we have network/modem problems……SIGH!!!!
Pat Blythe: SUMMER HAS ARRIVED!!!
Posted in Opinion, Review with tags A Girl With A Camera "The Picture Taker", Bob Segarini, Burton Cummings, DBAWIS, Don't Believe a Word I Say, Gage Park, hard rock, Kelly Jay, Lulu's Roadhouse, Michael Wekerle, Pat Blythe, Queen Victoria Pub, randy bachman, The Carpet Frogs, The Gasworks on June 1, 2016 by segarini
I do believe summer is here. Finally….and with a rather heated bang (or melt). The humidity makes my hair go crazy, like I stuck my finger in a light socket. It just sort of poofs out with no sense of decorum whatsoever. Absolutely zip in control. But I’m not just referring to the weather as the summer intro but goings on around town and the many bodies spilling in and out of the hundreds of patios across the city. However, two events in particular kept me hopping this past weekend. I haven’t partied like that in…..well, let’s not get into the details. (Oh….and for summer I’ve added a little colour to my coif….a few purpley/lavender streaks, just for shits and giggles)
Roxanne Tellier – Take My Picture
Posted in Opinion with tags Bob Segarini, DBAWIS, Don't Believe a Word I Say, duck face, Facebook, Jersey Shore, NoelStock, Performer, photography, Polaroid One Step, porn culture, Ricky Gervais, Robert Cornelius, Rock n Roll Hair, Roxanne Tellier, selfies, Soul Café, Tessa Kimmel, The Gasworks, vanity on July 20, 2014 by segariniWhen I was a kid, photographs were precious. In the days before digital cameras and cell phones with photo capability, the taking of a picture was a big deal … families went to a lot of trouble to capture moments in time.
Roxanne Tellier: My Toronto – Part One
Posted in Opinion with tags Boys Brigade, Buddy Guy, Cameo Lounge, Chick n Deli, Cleveland, DBAWIS, Dixieland Jazz Matinee at Grossman's, Downchild Blues Band, Ellen McIlwaine, Goddo, Honeymoon Suite, Hotel California, Howling Wolf, Isabella Hotel. I Get Dizzy At The Izzy, Jane Vasey, Jesse Winchester, Kid Bastien's Camelia Band, Knob Hill Hotel, Louise Lambert, Mad Mechanic, Muddy Waters, Peter Appleyard, Piccadilly Tube, Q107, Queensbury Arms, Ramblin’ Jack Elliott, Reckless, Regatta, Roxanne Tellier, Santers, Spats, Sylum, The Cameo Blues Band, the Chimney, The Forge and Nickelodeon, The Gasworks, the Happy Pals, The Hunt, The Izzy, The Jitters, The Shammy, The Shamrock, Tony’s East, Triumph, Ye Olde Brunswick House, yonge street, Zon on April 6, 2014 by segariniCam Carpenter’s recent DBAWIS column on Toronto venues reminded me of how impressive the city’s music scene was back in the day. In the late 1970’s and early ‘80’s, the city was awash not only in great clubs, but in terrific musicians working six or even seven days a week, entertaining delighted, enthusiastic crowds.
You couldn’t toss a rock without hitting a working musician back then. We were everywhere, making a decent living, doing what we loved to do. Demand for live music was high, and most of us tried our damndest to rise to the listener’s expectations.
Cameron Carpenter: The ABC’s Of Rock – L is for Live
Posted in Opinion with tags ABCs of Rock, Cameron Carpenter, DBAWIS, Don't Believe a Word I Say, L, Shanghai Cowgirl, The Colonial Tavern, The El Mocambo, The Gasworks, The Knob Hill, The Nickelodeon, The Piccadilly Tube, Toronto, Toronto Clubs Live Music '70s and '80s on August 2, 2012 by segariniThe great news of Sam Grosso (Cadillac Lounge) buying the El Mocambo last week got me to thinking of all the great old venues I was lucky enough to spend time at in my youth.
We are very fortunate in Toronto to have so many great venues for acts to play at. On Queen West alone you have The Rivoli, The Legendary Horseshoe, The Cameron House, The Hideout, The Bovine and Cherry Colas to name but a few. The Tattoo Rock Parlour had a ton of potential but they just didn’t seem to be able to fully commit to “the rock”.