I just finished watching the documentary titled All Things Must Pass about Tower Records and their rise and fall and am going to try to tell you a bit about the record business in which I worked. First, though, a few people to whom I have talked about the film have made comments about Russ Solomon, the man behind the chain, which were none too complimentary. When I heard them, I didn’t say much because I had yet to see it and thought maybe the comments were more toward the film than Russ himself. So let me now respond to those few, none named because the conversations were private and thus not fodder for public consumption.
Archive for The Merry Go Round
Frank Gutch Jr: Emitt Rhodes; Why Bluegrass Needs Gold Heart; Is Getty Images the Spotify and Pandora of Photography; Plus Notes…..
Posted in Opinion, Review with tags Colleen Brown, DBAWIS, Don't Believe a Word I Say, Doyle Lawson, Eliza Rickman, Emitt Rhodes, Flatt & Scruggs, Frank Gutch Jr., Getty Images, Gold Heart, Indie Artists, Indie Music, Joe Doerr, Kora Feder, LeRoi Brothers, Madisons, music, Music Radio, music videos, O Brother Where Art Thou?, October Project, radio, Records, Rita Hosking, Sara Curtin, Screaming Sirens, segarini, Seldom Scene, The Merry Go Round, Tim O'Brien on December 1, 2015 by segarini
Emitt Rhodes is not a god, but he is as close as anyone I have found, in music at least. To me, he is right up there with Buddy Holly, Elvis, Paul McCartney and the other musicians people seem to want to elevate to godlike status. Decades ago I wrote a short piece comparing Rhodes’ albums to McCartney’s first solo album, largely because they each chose to play all of the instruments, and, well, McCartney did not fare well, but that is just me. Become a superstar and you had better produce like a superstar and while McCartney did become one and hasn’t produced, Rhodes never even had a real chance. His music, though? Quarter notes through the heart. No, he is not a god, but he is among the best of the humans.
Segarini: “Say, Isn’t that…?”
Posted in Opinion with tags Blue Magic, Bob Dylan, Bourgeois Tagg, Cherry Cola's, DBAWIS, Don't Believe a Word I Say, Donovan, Dudley Moore and Peter Cook, Elvis Presley, Frankie Valli, John D. Laudermilk, Little Joe and the Thrillers, Lou Christie, music, Nashville Teens, New York Dolls, radio, Ral Donner, Records, segarini, Tears For Fears, Terry Stafford, The Beatles, The Bee Gees, The Chesterfield Kings, The Four Seasons, The Knickerbockers, The Merry Go Round, The Pretty Things, The Rutles, The Wackers, Them, Utopia, Vinyl Kings on May 6, 2013 by segariniWhen I was growing up in Stockton California, music was the connecting tissue between friends, and one of the most important touchstones of our daily lives. Everybody listened to the radio. Everybody went to the dances and the house parties and brought their favourite 45s to share in basement rec rooms and around the pool. Everybody had transistor radios. Everybody went to the record stores and spent their babysitting or paperboy money on the latest records. We discussed our favourite artists and songs, we debated the worth of Elvis VS Boone, Beatles VS Stones, and everything in-between. We were ravenous…and constantly on the lookout for music that touched us, made us think, made us dance, made us alive…and kept us appeased until the next release from our current heroes.
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