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There’s a Renaissance of sorts happening in the music business right now by which music we’ve lost track of, or have ignored outright, due to the current ubiquity of pop music is crawling out from the primordial ooze and is being reborn as something new. New masters, new packaging and/or new formats are moving in to replace the gaping hole left by marginilized MP3 files and the impending death of CDs.
I’ve been wracking my brain for the last 48 hours wondering how I was going to make a suitable contribution to this blog without looking frivolous or uncaring about the reality of what happened in Boston this week. There are no words for the massive shock, sadness and anger that has engrossed us all; The killing of 20 children in Newtown left me feeling just as helpless and lost…as did 9/11 so long before it.
I don’t know that humans have developed a coping mechanism that allows us to naturally process tragedies on an apocalyptic scale. How do you survive and process a Tsunami? Earthquakes? Tornados? The people of 
Pompeii were the lucky ones – they died instantly; the people of the Nazi death camps, Nagasaki, Hiroshima, Chernobyl and other unimaginable atrocities, not so much. And as empathetic beings we feel most outraged when confronted with the savagery of human error or human-on-human carnage. We cannot process this kind of trauma.
Bullseye Records of Canada
Segarini: Don't Believe a Word I Say 