It’s confession time. Some of my devoted readers are not going to like it. It’s related to my disdain for certain genres of music so if you’ve got a strong constitutional defense for the music you love you may want to read the ‘New Yorker’ in your smoking jacket instead. Or track down re-re-re-runs of the Grand Ol’ Opry on TVland. I’m a dyed-in-the-wool music snob. I have no patience or interest in Jazz, The Blues or Country music.
Archive for Waylon Jennings
JAIMIE VERNON – DEAD GENRE IN THE MIDDLE OF THE ROAD
Posted in Opinion, Review with tags Beale Street, Beverly Hillbillies, Big 'n' Rich, Bob Segarini, Canadian Music, Chuck Berry, CMT, Country Music, DBAWIS, Dolly Parton, Don't Believe a Word I Say, Donny & Marie, Eddie Arnold, George Jones, Grand Ol’ Opry, Hank Williams, hayseed, Highwaymen, Jaimie Vernon, Johnny Cash, Kenny Rogers, Kris Kristofferson, Marty Robbins, Merle Haggard, Nashville, New Country, Rock and Roll, Roy Clark, Stetson, Waylon Jennings, Willie Nelson on April 9, 2016 by segariniJAIMIE VERNON – TAKE ME HOME COUNTRY ROADS
Posted in Opinion, Review with tags American Idol, Andy Dore, Bob Segarini, Brill Building, Canadian music Shane McNulty, Conway Twitty, Country & Western, DBAWIS, Dennis Cameron, Don't Believe a Word I Say, GAP, George Jones, Good Ol' Boys, Hank Williams, hurtin' songs, Jaimie Vernon, Jeff Nystrom, John Steele, Johnny Cash, Kris Kristofferson, Lexus, Nashville, New Country, Platinum VISA, Stetson, SUV, Tin Pan Alley, Waylon Jennings, Wayne Killius, Willie Nelson on October 24, 2015 by segarini
Full disclosure. I don’t do Country music. I’ve never been a fan of those Good Ol’ Boys singing – through their noses, I might add – about dogs and bar fights and pick-up trucks and hurtin’ songs about how a good woman gone done them wrong or some endless road trip of wide open spaces carrying a rack full of guns because: FREEDOM!
Frank Gutch Jr: Bobby Singh— Photo-Chronicling Toronto’s Music Scene; Shari Ulrich & Julia Graff— It’s a Family Thing; A Trifecta of Concept Albums; and Notes…..
Posted in Opinion with tags 000 Watts, A&M Records, Alcoholic Faith Mission, Bob Segarini, Bobby Singh, Bonsai, DBAWIS, Don't Believe a Word I Say, Emmylou Harris, Everywhere I Go, Frank Gutch Jr., Front of House Photography, hannah gillespie, Henry Diltz, Indie Artists, Indie Music, Jaimie Vernon, Johnny Cash, Julia Graff, july talk, Levon Helm, music videos, Nightmare @ 20, Paul Kennerley, Phosphorescent, Records, Roseanne Cash, Shannon Curtis, Shari Ulrich, Simone Elyse Stevens, The Legend of Jesse James, The Pretty Reckless, Waylon Jennings, White Mansions on May 20, 2014 by segariniShari Ulrich, in her latest blog, talks about the future from a perspective of the past, her point being that she had not even an inkling of what was to happen while it was even happening. To live in the present is, in essence, to live in the future because time has no on and off buttons. Every second we live is another second into the future and another second away from the past. We experience it on an ongoing basis, the seconds ticking away into minutes and then hours and then days and then weeks until we are at a point we stop (though it never really stops) and look back, wiping our brows and wondering, where did it all go? And wish that we had maybe paid more attention.