Some things just happen for a reason. A parking spot just as you need it. That cheque you’ve been waiting for arrives in the mail at precisely the right time. The job opportunity comes along right when you need it most. Somebody mails you a CD out of the blue while you’re considering what to write for the next column. Well….the latter just waltzed into my mailbox….it’s the most beautiful rendition of this classic I’ve ever heard. The vocalist was only twelve when it was recorded.
Archive for We Made It Through the Wreckage
Pat Blythe – The Stories Behind The Songs – Part Three
Posted in Opinion, Review with tags A Girl With A Camera "The Picture Taker", AHI, BB King, Bobby Curtola, DBAWIS, Don't Believe a Word I Say, George Chkiantz, Greg Simpson, Hard Rock Café, Hugh's Room, Jerome Godboo, Jimmy Winston, Joe Kelly, Justin Bieber, Kenny, Mod, My Psycho Ex, Olympic Studios, Pat Blythe, Robbie Lane, Robbie Lane and The Disciples, Rod Stewart, Ronnie Lane, Sam Taylor, Seven44, Small Faces, Smile, Steve Marriott, TAFT, Teniversary, The Beebs, Toney Springer, UG3 Live, We Made It Through the Wreckage, Western Fair on February 2, 2017 by segariniPat Blythe: Keeping The Music Alive…Part Two
Posted in Opinion, Review with tags A Girl With A Camera "The Picture Taker", A Waking Dream of Mexico, AHI, Alice Black, Bob Segarini, Camp Oochegeas, Cirque du Soleil, David MacMichael, DBAWIS, Don't Believe a Word I Say, Dropkick Murphy's, Fathead, Fort York, Garrison Common, Jace Traz, Luzia, Matt Mays, Music Gallery, Pat Blythe, Risa Black, Robin Campell, Rockin' Winter Blues Series, Sam Roberts, Sam Taylor, Sean Patrick Armstrong, Shawn Killaly, Sonny Lister, The East End Love, The Hive, The Rockpile, The Stone Cottage, Tide and Boar, Tim O'Reilly, Todd Pentney, Toronto Urban Roots Festival, TURN, We Made It Through the Wreckage, Whitehorse on October 5, 2016 by segariniGood morning!! It’s Tuesday which means this must be “writing day”. It’s catch-up time once again. A myriad of events and happenings over the past few weeks this column might be longer than usual just so I can bring you all up-to-date. …..and of course all those lovely pictures (she says tongue-in-cheek). I’ll just take a minute to figure out where I left off……
Pat Blythe: Keeping the music alive…one “note” at a time
Posted in Opinion, Review with tags A Girl With A Camera "The Picture Taker", AHI, Alex Fisher, Aporia Records, Ballroom Babies, Beethoven, BlackDog Ballroom, blues, Bob Segarini, Cherish Stevenson, Cherry Cola's, Chris Brown, Dave Langguth, DBAWIS, Desert Star, Don't Believe a Word I Say, Dylan Lazon, Evolved, Frank Cosentino, Gene Pool, Gene Scarpelli, Gingerale and The Monowhales, Gino Scarpelli, Guenther Kapelle, Jimi Hendrix, Joe Vilardo, John Jamieson, Julian Taylor, Karl Anderson, Kew Gardens Toronto, Lee's Palace, Michael Williams, Mike Ford, Mozart, Mushy Callahan, Nate Baylor, Nefe, Nikki Whitehead, Nikki's Wives, Pat Blythe, Penny Oleksiak, Peter Kashur, Roxanne Tellier, Sam Taylor, Secret Broadcast, Simon and Garfunkel, Soundhouse Studio, The Downtown Love, The Rockpile, Toney Springer, We Made It Through the Wreckage, Wild T and The Spirit, Xprime on September 21, 2016 by segariniIt has indeed been a busy summer for everyone. 2016 has been a peculiar, curious and rather dramatic year. A year of extreme change, upheavals, death, excessive busyness, new connections, sheer stupidity, life transformations and adjustments — nothing has been minor. It’s all been “in our faces”, screaming and shouting at us, begging us to take notice, pleading with us to address whatever is coming at us. I think many will be glad to see the back end of 2016 and look forward with hope to 2017. No, this is not a ‘year-end’ column, just a bit of reflection on the summer that seemingly whizzed by and all that happened in just that short timeframe.